Calligraphy - Restraining Earstud NO.2 墨摺 藏鋒 NO.2 耳釘

Calligraphy - Restraining Earstud NO.2 墨摺 藏鋒 NO.2 耳釘

/ Calligraphy Series

Inspired by the expressive rhythm of calligraphy, the Series transforms brushwork into sculptural forms — breaking away from flat surfaces, redefining strokes as wearable structures.

Through metalwork, we reinterpret ink not just as lines or letters, but as movement, texture, breath. Brush techniques — turn, fold, pause, flow — are deconstructed into folds of silver, forming layered textures that echo the dynamic beauty of written script.

Each piece is a living canvas. Oxidized silver matures over time, much like calligraphy ink shifting on paper. The deep tones, matte gradients, and spatial compositions mirror the contrast between black and white, fullness and void, presence and pause.

Inkfold explores:

• The rhythm of brushstroke as spatial motion

• The structure of characters as sculptural balance

• The density of ink as shifting patina

• The margin of the page as breathing room in design
   

More than adornment, this is a meditation in metal. A tribute to calligraphy’s quiet power — where gesture meets philosophy, and time leaves a trace.

/ 墨摺 系列

以書法色韻結合解構形態，讓書墨的意念傳承，也跳脫平面框架，讓飛白質地與行雲流水畫作真實的雕塑。

用金工與穿戴詮釋書法，解構書墨的五感，讓當代飾品與墨法意念相融，破除框架與文字的辨識，意大於形，創造化於框外的出局之美。用金工書寫；以材質肌理對話。墨色在紙面上留下空白、痕跡與墨痕，墨摺純銀系列也隨著環境氧化熟成，將書法墨韻隨著生活的痕跡產生變化與呼吸。

墨摺，起于在浸潤墨的筆刷與紙張中探索，把蒼勁的運筆，轉、折、頓、行、縱、挫，這些書寫藝術的筆觸在空間中運行的樣子，抽象的化作立體肌理摺理，長出筆墨線條書法之美的層層力量。 墨摺用當代的語言詮釋古典書法的筆墨內涵。 探討以金工首飾重現墨韻，呼應書法文字橫竪的結構；運筆的節奏；墨的顏色；書寫空間的餘白；濃濕墨痕的肌理，運用書法中的虛實相對、破除框架等筆法線條，與氧化銀的濃淡呈色、線性結構、凹凸肌理對照呼應，以時間文化與環境溫濕度的積累，創造出更多配戴的想像。 

書法強調修養內化、藝術情感，是宇宙觀、人生觀、生命哲學的綜合表徵。以鬆入靜，以靜而入定，與緩慢悠久的金屬工藝相同。都是傳承藝術與展現文化厚度的載體。

/ Restraining – Hidden Edge

Earrings, Ear Cuffs: echoes the concealed sharpness of a reversed brushstart—symbolizing inner wisdom and restraint.

• Delicate yet layered with calligraphic detail.

• Asymmetrical forms lend lightness with lingering depth.

/ 藏鋒 -  耳環、耳扣

如同起筆時由下逆筆，筆鋒隱而不露，也象徵韜光養晦、藏鋒收斂的人生哲學。

靈巧又充滿書墨細節，不對稱的設計，輕盈卻有濃厚的餘韻。

/ Made in Taiwan

Craftmen Handmade in Taiwan, By L'atelier INTZUITION

/ Craft Details 

Each handcrafted piece may vary slightly in shape and finish. Wear will naturally polish the oxidized surface, adding depth to its sculptural look.

/ 產地製造

台灣純手工銲接鍛造

/ 手工特色

因手工製作，每只角度與尺寸與表面氧化會有些微差異，氧化層也因配戴有不同磨光效果，更顯設計雕塑感

About INTZUITION 關於以覺學  

Each piece is handcrafted by INTZUITION’s artisan team, grounded in the principles of sustainable design. 

由以覺學工藝師團隊手工完成的金工作品，皆秉持著永續設計的原則

Circular Materials 循環材質

Urban mining recycles metals with zero emissions.

採用城市礦產綠色技術再生金屬，100%可重新回歸循環鏈。致力於零排放

Cleaner Production 無毒製程

Non-toxic oxidation avoids electroplating, advocates natural aging.

開發無毒工法，自然氧化呈色，避免電鍍廢水，提倡自然配戴時間熟成

Low Longavity 長壽低耗

Lifetime maintenance extends product life locally.

終身保養維修，延長生命週期，少量客製化的在地製作，低運輸碳足跡

Eco Packaging 永續包裝

Plastic-free, reusable packaging returns to nature

無塑天然素材包裝，可重複利用自然回歸大地，是心意深遠的收藏

/ INTZUITION / 

"INTZUITION" derives from the founder, " Tzui Lien, " and the concept of " Crafting life through intuition. " Our design philosophy centers on contemporary lifestyle and cultural innovation, prioritizing sustainability. We aim to reclaim the industry's essence, steering it away from the rush of mass production. Our approach involves pure handcraftsmanship, non-toxic, and low- carbon production. We prioritize the passage of time and utilize recycled precious metals to create enduring pieces, exploring the timeless significance of wearing.

/ 以覺學 /

臺灣設計師金工品牌，由品牌主理人連紫伊Tzui Lien於2015年創立，強調「以工藝的直覺體現生活哲學」，是探討當代生活與文化創新的設計首飾，提出「Clean Jewelry 純淨珠寶」的理想概念。回歸應有的時間與空間，無化學電鍍流程用時間熟成金屬，使用永續循環材質與包裝，以純手工與細膩設計打造永續之美。以覺學在臺灣有四家直營據點，近十年間也多在日本、歐洲等設計大展中展露頭腳，將臺灣設計師品牌推向國際市場。